{"id":545,"date":"2026-01-08T08:45:52","date_gmt":"2026-01-08T07:45:52","guid":{"rendered":"https:\/\/sites.ac-corse.fr\/lvanglais\/?p=545"},"modified":"2026-03-19T08:49:15","modified_gmt":"2026-03-19T07:49:15","slug":"publications-de-la-cle-anglaise-en-2025","status":"publish","type":"post","link":"https:\/\/sites.ac-corse.fr\/lvanglais\/2026\/01\/08\/publications-de-la-cle-anglaise-en-2025\/","title":{"rendered":"Publications de la Cl\u00e9 anglaise en 2025"},"content":{"rendered":"\n
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Retrouvez la liste des 33 ressources publi\u00e9es en 2025 sur la Cl\u00e9 anglaise !<\/p>\n\n\n\n

La Cl\u00e9 des langues s’adresse aux enseignants et formateurs cherchant des ressources valid\u00e9es par un comit\u00e9 scientifique, aux \u00e9tudiants en \u00e9tudes anglophones ou en didactique des langues, et aux chercheurs et curieux de culture et litt\u00e9rature anglophone. Les publications 2025 couvrent un large \u00e9ventail de th\u00e9matiques li\u00e9es \u00e0 la langue, la litt\u00e9rature, la civilisation et la culture anglophone. <\/p>\n\n\n\n

Titre<\/th>R\u00e9sum\u00e9<\/th>Auteur\/autrice<\/th>Type<\/th><\/tr><\/thead>
Names and naming dynamics in Damon Galgut\u2019s The Promise<\/em> (2021): a mirror of South African history? <\/a><\/strong><\/td>In 2021, the South African novelist and playwright Damon Galgut was awarded the Booker Prize for The Promise<\/em>. This novel indirectly addresses the inheritances of the Apartheid system through the dislocation of an Afrikaner family from Pretoria over four decades. Focusing on onomastics, this paper analyses names as indicative of personality traits and relationships between characters. It then examines the power of names and of the act of naming in relation to the history of South Africa.<\/td>Beno\u00eete Gottiniaux<\/td>Fiche<\/td><\/tr>
Fearing the passions of women. Female desire and sexuality in the nineteenth century<\/a><\/strong><\/td>Although the 18th century has often been characterised as a libertine age, the Victorian era is frequently remembered for its strict moral codes, social conservatism, and sexual repression, particularly concerning women’s sexuality. This paper examines 19th-century attitudes toward female sexuality, highlighting the interplay between the fear it elicited and class dynamics, the prevailing double standards of morality, and the emergence of the New Woman. It also critically addresses the tensions between ideology and reality, prescription and behaviour, as well as the discrepancies between public adherence to discourse and private conduct.<\/td>V\u00e9ronique Molinari<\/td>Article<\/td><\/tr>
Trends and new departures in the historiography of British protest movements (1811-1914)<\/a><\/strong><\/td>Rachel Rogers outlines in this talk the beginnings of the \u00ab\u00a0new social history\u00a0\u00bb, a field of history which came to prominence after the Second World War and endeavoured to bring the actions of men and women within social and political movements to light. She then provides an overview of the main trends in the historiography of protest studies, and concludes by presenting some of the approaches which historians have adopted in the last two decades.<\/td>Rachel Rogers<\/td>Conf\u00e9rence<\/td><\/tr>
The Terror of Desire in Victorian Visual Art<\/a><\/strong><\/td>The Pre-Raphaelite Brotherhood frequently represented desire through the figure of the prostitute, be it in a realistic British context or, more frequently, in an eroticised and exoticised recreation of the harem in the Oriental present or ancient times. Resorting to biblical or mythological figures was another subterfuge used by Pre-Raphaelite painters to tackle this sulphurous subject thanks to the representation of desiring male characters, such as Pygmalion, or female heroines ranging from a pure, chaste embodiment of desire to a more overtly erotic incarnation with the temptress. These representations were a way for the artists of the period to project onto the canvas their sublimated desire for their muses which could lead them to frantic periods of creation or despondency. Moreover, 19th-century paintings often staged men who were confronted to a stifling, even \u201cstrangling\u201d, representation of desire. <\/td>Virginie Thomas<\/td>Fiche<\/td><\/tr>
De l\u2019usage de m\u00e9taphores pour d\u00e9noncer le consum\u00e9risme : analyse de la TEDx Talk \u00ab\u00a0I Wore all my Trash for 30 Days\u00a0\u00bb de Robin Greenfield<\/a><\/strong><\/td>Cet article se propose d\u2019explorer trois m\u00e9taphores sur lesquelles la TEDx Talk de Robin Greenfield \u00ab\u00a0I Wore all my Trash for 30 Days\u00a0\u00bb repose et qui permettent de v\u00e9hiculer une critique de la soci\u00e9t\u00e9 de consommation, tout en amenant les spectateurs (pr\u00e9sents ou \u00e0 distance) \u00e0 repenser leur vision de leur consommation et de son impact sur l\u2019environnement. Le pr\u00e9sent article est une version abr\u00e9g\u00e9e et retravaill\u00e9e d\u2019une partie d\u2019un article scientifique \u00e0 para\u00eetre, dans un num\u00e9ro sp\u00e9cial sur l\u2019\u00e9colinguistique, de la revue Crossroads. A Journal of English Studies<\/em>.<\/td>Florence Floquet<\/td>Article<\/td><\/tr>
Smiling as Labour in the Work of Jean Rhys<\/a><\/strong><\/td>In this talk, Emily Ridge focuses on the intersections between emotion and work. She defines smiling as a mode of labour in and of itself and analyses different forms of emotional labour in Jean Rhys’s work.<\/td>Emily Ridge<\/td>Conf\u00e9rence<\/td><\/tr>
Absence in Akwaeke Emezi\u2019s The Death of Vivek Oji <\/em>(2020)<\/a><\/strong><\/td>In many ways, The Death of Vivek Oji <\/em>by Nigerian writer Akwaeke Emezi both resists and subverts well-defined labels. At the crossroads between mystery fiction and the Bildungsroman<\/em>, the novel paradoxically gives centre stage to the absence of the eponymous protagonist, whose enigmatic death is announced in the title. Yet, just as Vivek transgresses traditional, heteronormative gender boundaries, the narrative, too, blurs usual dichotomies. This paper examines the subversion of the boundary between presence and absence in the novel, through which Emezi sheds light on the systemic erasure of queer individuals while using the literary medium as a political space of re-presentation.<\/td>Alexandra Savard-Chambard<\/td>Fiche<\/td><\/tr>
\u201cThese Holy Idiots\u201d: Violence and Christianity in Marlon James\u2019s John Crow\u2019s Devil<\/em> (2005)<\/a><\/strong><\/td>In his debut novel, John Crow\u2019s Devil <\/em>(2005), Jamaican author Marlon James portrays the violent rise to fanaticism of an entire community. The book tells the story of the fictional Jamaican town of Gibbeah and the biblical battle that opposes Pastor Hector Bligh to Apostle York, a fire-breathing stranger who takes over the congregation. James\u2019s novel stages the powerful influence of Christianity and its rhetoric in legitimating and urging uninhibited violence. By depicting the apocalyptic reckoning that falls on Gibbeah, the book addresses themes of gender and sexual brutality and questions the ease with which charismatic leadership can substitute rational thought in working-class communities.<\/td>Emma Cottrel<\/td>Fiche<\/td><\/tr>
Colonization and koin\u00e9ization: On the emergence of North American English<\/a><\/strong><\/td>Although English spoken in North America derives from English spoken in the British Isles, it has become a separate variety that is easily distinguishable from British English varieties. However, unlike its British counterparts, North American English is relatively uniform, with much less regional variation, despite spanning a larger geographical area. This paper has two aims: firstly, to account for the development of English in North America from a socio-historical perspective, by looking at the complex colonial history of this part of the American continent.<\/td>Marc-Philippe Brunet<\/td>Article<\/td><\/tr>
\u201cThey are Blind to Mahmood Hussein Mattan\u201d: Exposing Institutional Racism in Nadifa Mohamed\u2019s The Fortune Men<\/em><\/a><\/strong><\/td>In The Fortune Men<\/em>, Nadifa Mohamed proposes a fictional account of the 1952 Mattan case, in which Mahmood Mattan, a Somali merchant seaman, was wrongly condemned and executed for the murder of a woman in Cardiff. Through the medium of the novel, the author insists on Mahmood\u2019s agency and dignity in the face of a dehumanizing judicial system, thereby exposing the racism that pervades British institutions.<\/td>Pauline Tauzin<\/td>Fiche<\/td><\/tr>
Ni h\u00e9ros, ni victimes : portraits de travailleurs manuels dans la litt\u00e9rature indienne contemporaine<\/a><\/strong><\/td>\u00c0 travers les exemples de A Free Man<\/em> (2011) d\u2019Aman Sethi et Bicycle Dreaming<\/em> (2016) de Mridula Koshy, Vanessa Guignery analyse comment la litt\u00e9rature indienne peut repr\u00e9senter les populations d\u00e9favoris\u00e9es, tout en \u00e9vitant les r\u00e9cits d’abjection et d’\u00e9mancipation.<\/td>Vanessa Guignery<\/td>Conf\u00e9rence<\/td><\/tr>
Les limites de l\u2019interculturalit\u00e9 : enjeux \u00e9thiques et esth\u00e9tiques dans Girl<\/em> (2019) d\u2019Edna O\u2019Brien<\/a><\/strong><\/td>Le dernier roman d’Edna O’Brien, Girl<\/em> (2019), pose la question postcoloniale de la l\u00e9gitimit\u00e9 : qui a le droit d’\u00e9crire, et sur quoi ? Dans cette pr\u00e9sentation, Fiona McCann montre comment le roman repousse les limites de l’\u00e9criture irlandaise et interculturelle, ainsi que la limite entre la fiction et les faits r\u00e9els.<\/td>Fiona McCann<\/td>Conf\u00e9rence<\/td><\/tr>
Quand il faut choisir une langue : les po\u00e8tes de la Cara\u00efbe anglophone<\/a><\/strong><\/td>Comment et pourquoi les po\u00e8tes de la Cara\u00efbe anglophone choisissent-ils une langue plut\u00f4t qu’une autre comme outil po\u00e9tique ? L’anglais de la Reine est-il n\u00e9cessairement un instrument de domination ? La production litt\u00e9raire en cr\u00e9ole est-elle forc\u00e9ment \u00e9mancipatrice ? Corentin J\u00e9gou propose dans cette conf\u00e9rence d’\u00e9tudier les enjeux qui pr\u00e9sident au choix d\u2019une langue \u00e0 travers les exemples de plusieurs po\u00e8tes de la Cara\u00efbe anglophone.<\/td>Corentin J\u00e9gou<\/td>Conf\u00e9rence<\/td><\/tr>
\u00ab\u00a0I wish to record and interpret the presence of human absence\u00a0\u00bb: an interview with Michael Kenna<\/a><\/strong><\/td>In this interview, English photographer Michael Kenna looks back on his fifty years of photographic work which has focused on the juxtaposition and confrontation between the natural world and structures built by humans.<\/td>Michael Kenna, Virginie Thomas<\/td>Entretien<\/td><\/tr>
State-of-the-nation novels: debunking nationalism<\/a><\/strong><\/td>This article aims to offer a detailed overview of the state-of-the-nation genre, with examples from 20th- and 21st-century novels. It outlines its historical lineage, by showing how 19th-century Condition-of-England novels and their focus on the discrepancies between the working and political classes are at the origin of this new genre. State-of-the-nation novels both address and move away from this issue, as they forge a critique of nationalist discourse. While nationalism aims at glossing over tensions and providing coherence between the individual and the collective, state-of-the-nation novels open up the wounds left by historical events, exposing how societal and political decisions threaten the very concept of the nation.<\/td>Alice Borrego<\/td>Article<\/td><\/tr>
L’anglais am\u00e9ricain dans tous ses \u00e9tats<\/a><\/strong><\/td>Dans une perspective comparative avec l’anglais britannique, Olivier Glain et Vincent Hugou pr\u00e9sentent dans cette \u00e9tude les particularismes de l’anglais am\u00e9ricain. L’anglais am\u00e9ricain dans tous ses \u00e9tats est compos\u00e9 de cinq chapitres, consacr\u00e9s \u00e0 l’histoire de l’anglais am\u00e9ricain, \u00e0 son syst\u00e8me phonologique, \u00e0 ses ph\u00e9nom\u00e8nes phon\u00e9tiques, ainsi qu’aux sp\u00e9cificit\u00e9s de son lexique et de son orthographe.<\/td>Olivier Glain, Vincent Hugou<\/td>Manuel<\/td><\/tr>
Les \u00c9tats-Unis sont-ils toujours une d\u00e9mocratie ?<\/a><\/strong><\/td>Dans le cadre de l’\u00e9v\u00e9nement \u00ab\u00a0C\u00e9l\u00e9brer l’ind\u00e9pendance des \u00c9tats-Unis en Auvergne-Rh\u00f4ne-Alpes\u00a0\u00bb, organis\u00e9 par la DRAREIC de l’Acad\u00e9mie de Lyon, Hugo Toudic a donn\u00e9 deux conf\u00e9rences sur la situation politique aux \u00c9tats-Unis et l’influence de Montesquieu sur le syst\u00e8me politique et institutionnel am\u00e9ricain.<\/td>Hugo Toudic<\/td>Conf\u00e9rence<\/td><\/tr>
Multilingualism in Min Jin Lee\u2019s Pachinko<\/em> (2017)<\/a><\/strong><\/td>In her second novel Pachinko<\/em>, Min Jin Lee narrates the life of a Korean family who immigrated to Japan. Three languages\u2014English, Korean and Japanese\u2014intertwine and clash in this chronicle of multilingual societies and families. Contrasting linguistic uses and perceptions underline the complexity of identity formation and the challenge of achieving a sense of belonging.<\/td>Lison Brault<\/td>Fiche<\/td><\/tr>
Donald Trump et le vote des femmes \u00e9vang\u00e9liques blanches<\/a><\/strong><\/td>Cette fiche analyse le soutien des femmes \u00e9vang\u00e9liques blanches \u00e0 Donald Trump, particuli\u00e8rement \u00e0 l\u2019occasion de l\u2019\u00e9lection pr\u00e9sidentielle de 2024, malgr\u00e9 ses positions antif\u00e9ministes. Nous proposons d\u2019\u00e9tudier ce ph\u00e9nom\u00e8ne \u00e0 travers la socialisation genr\u00e9e dans les milieux \u00e9vang\u00e9liques, o\u00f9 les femmes sont encourag\u00e9es \u00e0 adopter des r\u00f4les traditionnels de soumission et de domesticit\u00e9. Trump incarne par ailleurs un id\u00e9al de masculinit\u00e9 virile valoris\u00e9 par cette communaut\u00e9 et renforc\u00e9 par des strat\u00e9gies politiques cibl\u00e9es. Ce soutien s\u2019inscrit enfin dans une alliance historique entre les \u00e9vang\u00e9liques blanc\u00b7hes et le parti r\u00e9publicain, motiv\u00e9e par des enjeux moraux, \u00e9conomiques et sociaux.<\/td>Louise Chabanel<\/td>Fiche<\/td><\/tr>
Stepping out of the Frame: Re-visioning the Slave Narrative in David Dabydeen\u2019s A Harlot\u2019s Progress<\/em> (1999)<\/a><\/strong><\/td>In his novel A Harlot\u2019s Progress<\/em>, David Dabydeen reimagines William Hogarth\u2019s eponymous series of engravings by giving a voice to Mungo, a young black servant marginalised in the original artwork. The novel challenges the conventions of slave narratives by presenting a fragmented, circular, and polyphonic narrative. By subverting the reader\u2019s expectations and reimagining the framework of testimony, David Dabydeen questions the transparency of representation, the reliability of memory, and the legitimacy of the storyteller, while emphasising the power of fiction to bear witness to the traumas of the Atlantic slave trade.<\/td>\u00c9lise Tendron<\/td>Fiche<\/td><\/tr>
Orientalized and disoriented identities in The Parisian<\/em> (2019) by Isabella Hammad<\/a><\/strong><\/td>In her debut novel The Parisian<\/em>, Isabella Hammad narrates the life story of Midhat Kamal and his family in Nablus, during a pivotal period when Palestinian territory transitions from Ottoman rule to British control. Through Midhat\u2019s journey to France and back to Nablus in 1919, this Bildungsroman explores the feeling of inadequacy experienced by the protagonist, whose sense of belonging is constantly challenged. As the political situation comes to a boil, the novel explores the fragmentation of both national and familial identities.<\/td>Blandine Colas<\/td>Fiche<\/td><\/tr>
The Soweto Massacre of 1976: Youth Resistance, Apartheid Education, and Its Lasting Legacy<\/a><\/strong><\/td>The Soweto Massacre of June 16, 1976, was a protest led by black school children against the apartheid government\u2019s imposition of Afrikaans as the language of instruction in black schools. Thousands of pupils where marching peacefully in the Soweto township when the police opened fire, killing hundreds and sparking nationwide unrest. The massacre marked a turning point in South Africa\u2019s liberation struggle and drew global attention to the brutality of apartheid.<\/td>Reda Boulkhiam<\/td>Question d’actualit\u00e9<\/td><\/tr>
Male Gaze and the Monstrous Pursuit of Perfection in Coralie Fargeat\u2019s The Substance<\/em> (2024)<\/a><\/strong><\/td>The Substance<\/em> is a grotesque and satirical body horror film that reimagines Hollywood\u2019s obsession with youth and beauty through the tragic story of Elisabeth Sparkle, an aging TV star who uses an experimental drug to create a younger version of herself. This article examines how the film critiques the male gaze by portraying the female body as a site of performance, commodification, and ultimately, monstrosity. Drawing on Laura Mulvey\u2019s theory on the male gaze, it explores how director Coralie Fargeat weaponizes cinematic style to both expose and parody the objectification of women in the film industry, turning horror into an act of feminist commentary.<\/td>Reda Boulkhiam<\/td>Fiche<\/td><\/tr>
Beyond the Damsel in Distress: The Evolution of Female Representation in American Horror films<\/a><\/strong><\/td>This article examines the evolution of the portrayal of women in American horror films. Far from static, female representation in horror has undergone a dramatic transformation, evolving from the subversive and complex figures of the silent era, to the helpless, moralized victims of the Hays Code period, to the emergence of the Final Girl trope in the 1960s and 70s, a figure who both upholds and disrupts patriarchal norms. The 1980s and 90s brought a new wave of seemingly empowered women, yet these characters often remained trapped in hypersexualized or binary roles.<\/td>Reda Boulkhiam<\/td>Fiche<\/td><\/tr>
Les femmes dans la R\u00e9volution am\u00e9ricaine<\/a><\/strong><\/td>Dans le cadre de l’\u00e9v\u00e9nement \u00ab\u00a0C\u00e9l\u00e9brer l’ind\u00e9pendance des \u00c9tats-Unis en Auvergne-Rh\u00f4ne-Alpes\u00a0\u00bb, organis\u00e9 par la DRAREIC de l’Acad\u00e9mie de Lyon, Agn\u00e8s Delahaye met en lumi\u00e8re le r\u00f4le des femmes dans la R\u00e9volution am\u00e9ricaine.<\/td>Agn\u00e8s Delahaye<\/td>Conf\u00e9rence<\/td><\/tr>
Commemorating the story of independence: French and American representations of the American Revolution and independence<\/a><\/strong><\/td>As part of the event \u201cCelebrating US Independence in Auvergne-Rh\u00f4ne-Alpes\u201d, organized by the DRAREIC of the Acad\u00e9mie de Lyon, Aurore Portet analyses the ways archetypes are created through visual representation and the three waves of pictorial representations of the American Revolution.<\/td>Aurore Portet<\/td>Conf\u00e9rence<\/td><\/tr>
E Ancipite Unum<\/em>? Some ambiguities behind the birth of the United States of America<\/a><\/strong><\/td>As part of the event \u201cCelebrating US Independence in Auvergne-Rh\u00f4ne-Alpes,\u201d organized by the DRAREIC of the Acad\u00e9mie de Lyon, Guillaume Odin highlights in this lecture the multiple ambiguities behind the birth of the United States of America, from the Revolutionary War of 1775-1783 to the Civil War of 1861-1865, and the westward expansion of the 19th century.<\/td>Guillaume Odin<\/td>Conf\u00e9rence<\/td><\/tr>
Shakespeare, his life, his time and his work<\/a><\/strong><\/td>As part of the training programme \u00ab\u00a0Approfondir ses connaissances – Enseignement de sp\u00e9cialit\u00e9 Anglais LLCER\u00a0\u00bb organized by the EAFC in Grenoble, this lecture gives an overview of Shakespeare’s career as a playwright and the way he used prose and poetry in his plays. This talk also highlights a few examples of contemporary adaptations of the Shakespearean canon.<\/td>Estelle Rivier-Arnaud<\/td>Conf\u00e9rence<\/td><\/tr>
Le Premier Amendement de la Constitution des \u00c9tats-Unis : les libert\u00e9s contre l\u2019\u00c9tat<\/a><\/strong><\/td>Dans le cadre de l’\u00e9v\u00e9nement \u00ab\u00a0C\u00e9l\u00e9brer l’ind\u00e9pendance des \u00c9tats-Unis en Auvergne-Rh\u00f4ne-Alpes\u00a0\u00bb, organis\u00e9 par la DRAREIC de l’Acad\u00e9mie de Lyon, Vincent Michelot d\u00e9taille les tensions qui existent entre la fragilit\u00e9 des libert\u00e9s aux \u00c9tats-Unis et le potentiel lib\u00e9rateur que rec\u00e8le la Constitution.<\/td>Vincent Michelot<\/td>Conf\u00e9rence<\/td><\/tr>
Le sublime industriel dans l\u2019\u0153uvre de Michael Kenna : entre \u00e9thique et esth\u00e9tique<\/a><\/strong><\/td>La repr\u00e9sentation du monde industriel tient une grande place dans l\u2019art du photographe britannique Michael Kenna, qui nous conduit sur des sites vari\u00e9s, de la Grande-Bretagne aux \u00c9tats-Unis et plus r\u00e9cemment en Italie. Ses photographies d\u00e9shumanis\u00e9es, pour la plupart, nous am\u00e8nent \u00e0 nous interroger sur la tension qui s\u2019exerce entre le d\u00e9fi \u00e9thique li\u00e9 \u00e0 la pollution industrielle et la sublimation esth\u00e9tique de cette menace environnementale. La repr\u00e9sentation de la nature et, plus particuli\u00e8rement des arbres, devient alors un espace salutaire dans sa d\u00e9marche artistique.<\/td>Virginie Thomas<\/td>Fiche<\/td><\/tr>
Citizenship, Immigration and Human Rights in the Age of Trump<\/a><\/strong><\/td>In her presentation, Amanda Frost discusses the revocation of student visas, the use of the Alien Enemies Act (1798) for law enforcement purposes, and the Trump administration’s campaign to revoke citizenship in order to provide a broader overview of the state of civil liberties in the United States today.<\/td>Amanda Frost<\/td>Conf\u00e9rence<\/td><\/tr>
\u00ab\u00a0A deliberate breaking of the rhythm of things\u00a0\u00bb : \u00c9criture moderniste et rapports amoureux chez William Faulkner<\/a><\/strong><\/td>Cet article \u00e9tudie la fa\u00e7on dont Faulkner exp\u00e9rimente et d\u00e9veloppe des techniques modernistes en repr\u00e9sentant les rapports amoureux dans sa fiction des ann\u00e9es 1920. D\u00e8s son premier roman, Soldiers\u2019 Pay<\/em>, Faulkner construit une \u00e9criture du d\u00e9sir \u00e0 partir des techniques de repr\u00e9sentation de la guerre moderne. Cette \u00e9criture amoureuse du traumatisme, qui permet d\u2019exprimer toute la complexit\u00e9 des amours faulkn\u00e9riennes, entre fascination, d\u00e9go\u00fbt et trag\u00e9die, est affin\u00e9e dans Flags in the Dust <\/em>et culmine dans The Sound and The Fury<\/em>, o\u00f9 la fragmentation du r\u00e9cit est combin\u00e9e \u00e0 l\u2019association d\u2019id\u00e9es pour rendre l\u2019obsession amoureuse.<\/td>Astrid Maes<\/td>Article<\/td><\/tr>
Blindness in (post)colonial settings: Abdulrazak Gurnah\u2019s Desertion<\/em> (2005)<\/a><\/strong><\/td>Desertion<\/em> (2005) by Zanzibari writer Abdulrazak Gurnah traces the consequences of a relationship in the late 19th century between a European man, Martin Pearce, and a Zanzibari woman, Rehana, when, decades later, a character named Amin falls in love with Rehana\u2019s granddaughter, Jamila. In the novel, the underlying theme of blindness connects geographical locations (Zanzibar and England) and temporal settings (colonial and postcolonial Zanzibar), highlights how the material body entangles with the body politic and acts as a metanarrative tool to subvert colonial writing.<\/td>In\u00e8s Roche<\/td>Fiche<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
Pour citer cette ressource :<\/h6>\n\n\n\n

Publications de la Cl\u00e9 anglaise en 2025, La Cl\u00e9 des Langues<\/em> [en ligne], Lyon, ENS de LYON\/DGESCO (ISSN 2107-7029), d\u00e9cembre 2025. Consult\u00e9 le 08\/01\/2026. URL: https:\/\/cle.ens-lyon.fr\/anglais\/publications-de-la-cle-anglaise-en-2025<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Retrouvez la liste des 33 ressources publi\u00e9es en 2025 sur la Cl\u00e9 anglaise ! La Cl\u00e9 des langues s’adresse aux enseignants et formateurs cherchant des ressources valid\u00e9es par un comit\u00e9 scientifique, aux \u00e9tudiants en \u00e9tudes anglophones ou en didactique des langues, et aux chercheurs et curieux de culture et litt\u00e9rature anglophone. Les publications 2025 couvrent […]<\/p>\n","protected":false},"author":69,"featured_media":546,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,17],"tags":[],"class_list":["post-545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","category-tice-et-internet"],"_links":{"self":[{"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/posts\/545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/comments?post=545"}],"version-history":[{"count":1,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/posts\/545\/revisions"}],"predecessor-version":[{"id":547,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/posts\/545\/revisions\/547"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/media\/546"}],"wp:attachment":[{"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/media?parent=545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/categories?post=545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.ac-corse.fr\/lvanglais\/wp-json\/wp\/v2\/tags?post=545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}